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Antari FLG-5 is a 5-litre water-based heavy fog fluid manufactured by Antari and supplied in New Zealand by Edwards Sound Systems. Formulated for standard professional fog machines, it produces dense, long-hang atmospheric fog without leaving oily residue. The formula is non-toxic, odourless, non-flammable, and non-irritating, with a low-allergen profile suitable for audience and performer environments including theatres, clubs, schools, and corporate venues. An independently verified Safety Data Sheet (MSDS) is available confirming compliance with environmental and safety regulations. FLG-5 is compatible with all Antari fog machines and most professional-grade foggers. Available in a 5-litre bottle at $79.50 incl. GST. The FLG range is Antari's heavy fog formulation, distinct from their low fog (FLL) and light fog (FLR) fluids which are designed for specific machine types and effect applications.

The Antari J-100 Sonic Jet is a 2700W directional fog jet machine manufactured by Antari and stocked in New Zealand by Edwards Sound Systems. It uses a high-pressure turbo fan to project a concentrated burst of fog at high velocity, producing a directional jet effect rather than atmospheric diffusion. Rated IP53 for dust and water spray resistance, it is suitable for outdoor stages, festival environments, and open-sided venues. Control options include DMX512, wireless, and W-DMX (optional module). Fluid consumption is 250ml/min using Antari FLK fast-dissipating fluid. Weight is 18.7kg with an external fluid tank. Applications include concert productions, prize-giving reveals, DJ performance moments, theatre, and outdoor events. Priced at $3,999 incl. GST.

The ITC UC Series is a range of multi-zone matrix amplifiers manufactured by ITC and supplied in New Zealand by Edwards Sound Systems. Available in four models — T-2120UC, T-2240UC, T-4120UC, and T-4240UC — the series provides 2 or 4 independently controlled output zones at 120W or 240W per channel, with simultaneous 4–16Ω and 100V line output. Up to six audio sources route through the matrix to any zone combination. The system integrates with the T-214B touchscreen desk paging microphone and T-651 wall-mounted zone controllers, both CAT5e-connected and amplifier-powered up to 100m. Built-in features include Bluetooth, USB/SD MP3 playback, FM radio, MP3 recording, 48V phantom power, and hardware MUTE ports for fire alarm integration. Priced from $2,249 to $3,249 incl. GST. Edwards Sound Systems has supplied ITC commercial audio products since 2011.

The Audiocenter D4.2K-D is a 4-channel Class D power amplifier rated at 4×500W at 4Ω or 2×1000W bridged at 8Ω, built with integrated BrainCore™ DSP processing (48kHz/24-bit, IIR and FIR filters, 15-band parametric EQ per input, 10-band per output, per-channel delay and limiting) and Dante audio networking. It accepts Dante, AES/EBU, and analogue inputs simultaneously with configurable matrix routing. Network management is handled via BrainCore NET software, which supports up to 250 devices from a single platform. The unit occupies 2U of rack space and weighs 8.5kg. It is supplied and supported in New Zealand by Edwards Sound Systems, an Auckland-based AV company that has stocked Audiocenter products since 2010.

Edwards Sound Systems supplies and installs pre-programmed turn-key event lighting packages for bars, schools, clubs, and community venues across Auckland. Built around the Kontrol192 DMX controller — supporting up to 12 fixtures at 16 channels per fixture — each package is custom-specified to the venue and pre-programmed with scenes, sound-activated modes, and labelled fixtures before delivery. Fixture options include the Event LITE PAR19X12L for indoor stage applications and the IP65-rated PAR12X20H-IP for outdoor and mixed-environment use. Packages include all stands, cabling, and mounting hardware, and are designed to be operated by non-technical staff without a dedicated lighting operator.

Edwards Sound Systems is an Auckland-based AV company supplying and installing permanent LED screens for schools, churches, and venues across the wider Auckland region. Using Lampro LED panels with GOB (Glue-on-Board) pixel protection and front-access maintenance design, Edwards installs custom-manufactured screens sized to each venue’s exact requirements. Pixel pitch options of P2.6–P3.9 suit indoor viewing distances of 2.6 metres and above, covering standard school hall and church seating depths. The full installation is handled by an in-house team including a licensed electrician, carpenters, programmers, and technicians. Lead time from order is approximately eight to ten weeks, with on-site installation and commissioning completed in approximately two days.

The Studio200IW Event Lighting LED Wash Light, Distributed by Edwards Sound Systems, is a professional-grade lighting fixture designed for film, studio, theatre, and live productions. It offers a high CRI of 97, adjustable colour temperature, and a wide beam angle of 120°, ensuring precise and vibrant lighting. Ideal for theatre managers and videographers, this fixture supports flicker-free operation and advanced dimming capabilities, making it a preferred choice for demanding lighting environments.

Balancing a high-energy atmosphere with strict local council noise regulations shouldn't feel like a high-stakes gamble. Whether you’re running a boutique spin studio, a bustling late-night bar, or a busy industrial floor, the line between "the perfect vibe" and a "noise abatement notice" is thinner than you think. In many cases, the "back-yarder" approach of using a smartphone app or a cheap, uncalibrated meter just won't cut it when the council comes knocking. You need a reliable, professional-grade solution that gives your staff instant feedback before the complaints start rolling in. Enter the Fitness Audio Smart Limiter—a straightforward, "traffic-light" visual monitor designed to keep your sound in the sweet spot and your neighbors happy.

Choosing between the Wolfmix W1 MK2 and MaestroDMX? These cutting-edge DMX controllers take fundamentally different approaches to lighting control and you might even want both. The Wolfmix W1 MK2 is a standalone hardware controller offering tactile, hands-on control perfect for live performances and creative lighting design. With up to 4 DMX universes, physical faders and encoders, and the new Intelligent Preset feature that auto-generates 80 presets instantly, it's built for professionals who want complete creative freedom without computer dependency. MaestroDMX is an AI-powered, browser-based system that listens to your music and creates synchronized light shows automatically. Access it from any device, let the AI handle color, movement, and effects in real-time, and focus on your performance rather than programming. This comprehensive guide compares control methods, learning curves, music synchronization, and real-world applications which should help you choose the right controller for your needs, or discover why some professionals invest in both.

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